Bread has usually been much more than just dough. So why not rejoice its sale and generation? Instead of next conventional principles of bakery aesthetics, this task focused on an sincere emphasis on its critical substances: room and baked merchandise. Located marginally off the principal business streets of central Athens, the first place provided an unusually elevated and recessed terrace space.

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The KORA storefront and bakery therefore characterize a variety of phase for the creation and display of baked items. The presentation of these products and their accompanying output procedures are conceived as a transparent spectacle. The method of baking and the presentation of merchandise are perceived by a big wall of rotating metallic shelves. Transforming scenarios of open up, semi-open up, and shut facade components let not only for sights of distinct sorts of products but also into the production room alone.

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The threshold involving inside and outside is joined by an interactive perforated metallic wall. A kinetic wall that can act as a shutter, an aperture, or a exhibit surface. The metallic wall is comprised of 50 particular person trays that rotate independently all over a central axis into different positions. When vertical they give the least transparency when making it possible for for sights of silhouettes and light coming via the perforation of the steel.

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When horizontal they offer the highest transparency by performing as a useful surface area for exhibit, all set to accommodate a great variety of baked merchandise. Lastly, the 45-diploma angle enables for partial sights of the history as well as an excellent solution exhibit for the visibility of clients. As a result of the addition and sale of diverse items, the kinetic wall is therefore often shifting in its outer look. It at the same time functions as a shutter, boundary in direction of the exterior, aperture to the spectacle of baking, and a system for exhibiting baked merchandise alongside with distinct eventualities.

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Apart from generating a practical spectacle, cleanliness and servicing performed further essential roles in the choice of materials and colours. Jointly with the moveable kitchen equipment, the light-coloured, tough, and non-porous surfaces of the decrease fifty percent embody a form of atmospheric lightness. They therefore not only symbolize but pretty much are regions that need every day cleansing and minimal maintenance. In distinction, all elements on the ceiling and over the expected hygienic degree of 2 meters, relate to mechanical and lighting programs.

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Due to the elevated character of the place, this second facade is especially noticeable from the avenue level. The usually incoherent industrial character of this kind of units was so camouflaged via the software of a monochromatic coloration tone that also enhances the present upper building. The ceiling and all its specifics therefore come to be a lot less distinguished while expanding obtain and adaptability by the comprehensive publicity of mechanical and lighting aspects.

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The celebration of practical things on the inside of compliments the perpetually transforming spectacle in and about the façade. Making and consuming bread (and pastries) turns into a performance, whereby the boundaries between performers and spectators are blurred.

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Architects: en-route-architecture Place: 200 m² 12 months: 2020 Images: Mariana Bisti Makers : AutoDesk, Ceramica Vogue, McNeel Guide Architects: Katerina Kourkoula, Hannes Livers Gutberlet

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